Working with exclusionary subject matter

When working with subject matter that could be considered exclusionary to a wider audience there is a big question around how to include the viewer in the work rather than causing them to feel alienated so that they become disinterested and don’t bother to engage. Many artists might have subject matter within their work which is personal…

April Critique

For the April Critique I presented 2 works-in-progress that were both focussed on the use and understanding of symbols in visual documents and artefacts, particularly the use of symbology in artwork with esoteric content. Symbols have layers of meaning and understanding attached to them that vary greatly depending on context and reader. They have the…